Richard Crawley – Baritone
Baritone Richard Crawley is a versatile artist who commands any stage—from the world’s most prestigious concert halls to the most intimate performance settings—captivating audiences with his passionate singing and nuanced dramatic presence. After a successful transition from heroic tenor to a commanding Verdi baritone, Mr. Crawley’s career continues to flourish at a national level.
His distinguished career has taken him to premier opera and musical theater stages worldwide, with notable appearances at the Metropolitan Opera, New York City Opera, San Francisco Opera, and Lyric Opera of Chicago. His international profile includes performances at the Teatro Colón in Buenos Aires, Staatstheater Stuttgart, and the Greek National Opera. As a sought-after orchestral soloist, he has collaborated with the Tokyo Oratorio Society, Baltimore Symphony Orchestra, and the Hong Kong Symphony, performing at major national venues such as Carnegie Hall and Avery Fisher Hall at Lincoln Center.
Recent critical successes highlight his dramatic range, including his portrayal of Solomon Schechter in Arnold Saltzman’s opera Geniza: Hidden Fragments at Adas Israel in Washington, D.C., and Tevye in Fiddler on the Roof as part of UCF Celebrates the Arts in the Walt Disney Theater at the Dr. Phillips Performing Arts Center in Orlando.
His 2025–26 season promises continued dramatic intensity and high-profile engagements. Highlights include performing the title role in Verdi’s Macbeth with Opera Tampa, appearing as Father Palmer in Silent Night with Opera Orlando, and serving as the Baritone soloist for Beethoven’s Ninth Symphony with the Orlando Philharmonic Orchestra.
Beyond his work on the stage, Richard is an esteemed educator and practitioner-scholar. He currently serves as Assistant Professor of Musical Theatre Voice and Faculty Music Director for Theatre UCF at the University of Central Florida. He specializes in the vital field of vocal cross-training, where he utilizes his vast professional experience to teach a wide array of vocal styles. His pedagogy bridges the gap between traditional classical technique and contemporary musical theater (CCM), including pop, rock, and jazz, preparing the next generation of performers for the rigors of the modern industry.
(Photo: JC Stuart Photo)